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Jean-Auguste Dominique Ingres
Portrait of a man
mk227
Oil on canvas
75.2x58.1cm
1810
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Jean-Auguste Dominique Ingres
Portrait of Idemi
mk227
94x69cm
1811
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Jean-Auguste Dominique Ingres
Portrait of Bili
mk227
Oil on canvas
1780-1806
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Jean-Auguste Dominique Ingres
Lafier and Finali
mk227
Oil on canvas
66x56cm
1814
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Jean-Auguste Dominique Ingres
Lady of Hery
mk227
oil on canvas
73x62cm
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Jean-Auguste Dominique Ingres
Portraiy of Biertan
mk227
oil on canvas
116x95cm
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Jean-Auguste Dominique Ingres
Lady of Fulike
mk227
60x47cm
1846
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Jean-Auguste Dominique Ingres
Portrait of old man
mk227
oil on canvas
105.1x94cm
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Jean-Auguste Dominique Ingres
Portrait of Yucifu
mk227
oil on canvas
56x46cm
1825
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Jean-Auguste Dominique Ingres
Self-Portrait
mk227
oil on canvas
78.1x61cm
1804
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Jean-Auguste Dominique Ingres
Maeki
mk227
Oil on canvas
1811
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Jean-Auguste Dominique Ingres
Self-Portrait
mk227
oil on canvas
86.4x69.9cm
1804
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Jean-Auguste Dominique Ingres
Portrait of man
mk227
Oil on canvas
1834
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Jean-Auguste Dominique Ingres
Portrait of Yakilusi
mk227
Oil on canvas
121x95cm
1832
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Jean-Auguste Dominique Ingres
La Grande Baigneuse
mk234
1808
146x97cm
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Jean-Auguste Dominique Ingres
Thetis bonfaller Zeus
mk234
1811
350x257cm
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Jean-Auguste Dominique Ingres
Grande La Baigneuse
mk234
1808
146x97cm
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Jean-Auguste Dominique Ingres
Thetis bonfaller Zeus
mk234
1811
350x257cm
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Jean-Auguste Dominique Ingres
The Bather of Valpincon
mk235
1808
Oil on canvas
146x97.5cm
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Jean-Auguste Dominique Ingres
bather of valpincon
mk247
1808,oil on canvas,57.5x38.25 in,146x97 cm,louvre,paris,france
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| Jean-Auguste Dominique Ingres
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French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
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